Open up art to the people.
Art (at the time of its creation) is always creativity/innovation and thus new information that was not in the world before.

New research proves: Information or creative insights promote the networking in the brain of the understanding person with which he can positively shape his evolution (in harmony with the evolution of the surrounding information).

When we understand the stored innovation or creativity in the work of art, we transfer the new information about our evolution according to species-sustaining qualities to the basic level of the gene programme switches through automatic gene programmes in the DNA and thus lead to rewriting or to new epigene function controls. to new epigene function controls of the DNA and our thinking and acting (otherwise we will not be able to keep up with the developments in the world and environmental information mentally, also in democracy, and due to the accompanying promotion of diseases, depressions, aggressions as well as fears, we will die out in the medium term or split into groups through wars and a lack of creativity, fall prey to exploitation and try to destroy each other, as history proves).

A pictorial formula that makes these creative processes visible and usable for all people and that makes the creativity from works of art easily comprehensible for everyone and transfers it epigenetically and neuronally to the world's population not only promotes prosperity and developments in societies by applying creativity with the production of sustainable innovations in technology and socio-cultural areas, but also promotes the dignity and freedom of all people and peace in the world.

An art formula is of art-historical, evolutionary and healing significance for society. That is why Dieter Liedtke has developed a graphic, easy-to-understand art formula for every eight-year-old, commissioned by Joseph Beuys.

Liedtke's text formula transformed from the dialectical graphic formula:

Life/known + Creativity = Art,

is undisputed in art history and by copyright laws, and is applied and confirmed in 100,000,000 lawsuits and judgements in literature, fine arts, music, photography, film and the other arts, as well as in all countries for judgement.

Even a subjective work without art-historical innovations represents a justified decorative value from materials, craftsmanship and time spent, even with a sometimes high price (from fads and hyps generated by the galleries and media) that can hold up in the medium term, but in the long term the prices and even more so the assumed values of the works are not confirmed. Millions of alleged works of art vanish into thin air because they do not stand up to objective criteria of what art is. There is no work of art without innovations and a clear degree of innovation of the new, the revolutionary information in the work compared to previous works in the history of art. A work without innovations is subjectively perceived as art through given information, but remains without value and decoration in terms of art history. A decorative work that is subjectively perceived as art can acquire its own value as an antique in the course of the centuries but is still not a work of art.

"Art is always innovation" Art historians have studied this, it is written in 100,000s of artists' books and can be read about every artist in Google (e.g. innovation by Picasso etc.) or in art encyclopaedias.

Through the global publication of the art formula for the general public as well as with the easy-to-use artwork innovation scorecard for artists and those interested in creativity (see the book: "Kunsträtsel gelöst" or the Art Formula App by Dieter Liedtke), the serious art trade will differentiate between decorative, subjectively felt art and objective art historically justified by innovations in the work and enlighten the art buyer.

In the publication of the art formula, the art trade, the artists and the media have a special task, since numerous epigenetic and neuronal studies have proven that recognising the effects of creativity or innovations in the works of art, the creativity from the works is transferred to the viewers precisely through this recognition, and a creative, prosperous economy and empathy in a society are promoted.

In the publication of the art formula, a special task is assigned to the art action, the artists and the media, since numerous epigenetic and neuronal studies have proven that recognising the effects of creativity or innovations in the works of art, the creativity from the works is transferred to the viewers precisely through this recognition, and a creatively prosperous economy and empathy in a society is promoted.

However, it is also apparent that in a world that is developing at an ever faster pace: Creativity deficits in relation to the demands of society arise without a creativity transfer formula, can lead to subjectively felt and actual reductions in freedom and health, as well as poverty, exclusion, depression and fatalistic distortions of democracy, if the new research results of neurobiology and epigenetics, as well as IQ, depression, anxiety and aggression research are included in a holistic view (see also the latest epigenetic, neurobilogical, mirror neuron and behavioural research results and studies).

The publication of what art actually is as well as of creativity and healing in society will give the artists, galleries, the cultural and artistic creators of Subjective and Objective Art an unprecedented turnaround in the market development for art in the population. In this context, subjective art at the level of society has the important task of opening doors and accompanying the development of objective works with innovations and their new innovative interpretations.